Director and choreographer Loughlan Prior is known for his immaculate retelling of fairy tales; however, Half Life was nothing of the sort. The phenomenal production by Lo/Co Arts mixed outstanding choreographic technique, daring visuals, and a high-tech soundtrack that kept you on the edge of your seat all evening. The piece discussed the effects of technology and how pervasive the digital world is in governing our everyday lives; however, the presentation of the piece allowed each audience member to have their own interpretation. In the post-performance discussion an audience member asked “What does it all mean?”, to which Prior replied “Whatever you want it to mean”.
The music by Clair Cowan and Tom Dennison was also one of the most creative uses of technological composition I have encountered, using MiMU gloves to control sound on the stage. A highly impressive sequence was when Kirby Selchow had to improvise to match the sounds of Cowan’s gloves whilst still hitting every beat perfectly. Every choreographic step in the performance was completed with strength, grace, and impeccable timing; the true hallmarks of a fantastic contemporary piece.
As someone who has been watching dance pieces since I could walk, believe me when I say this performance was truly unforgettable, an easy 10/10.
