From neurologist porn to Star Trek romance, The Mischief Company lit up Devonport’s Vic Theatre with a fizzy mix of wit, warmth, and wild imagination. Featuring a diverse crowd and something for everyone, this improv show brought heart, hilarity, and a whole lot of “don’t give a shit” charm.
In a time of disconnection, Rongo Whakapā invites us to slow down, lean in, and feel the quiet power of collective presence through the language of touch.
A musical comedy performance at The Basement Theatre showing between 8th - 12th July 2025. THERAPY was awarded the New Zealand Fringe Touring Award (2024).
James Gunn’s Superman reboot tries to go bold but lands flat. With awkward jokes, confusing world-building, and forced emotional arcs, it's hard to care – except maybe about Krypto the dog. A few fun moments saved it, but overall, Super... meh.
Sparks fly when TikTok meets Folk Tale in rural North Macedonia.
A review of the Auckland Writers Festival 2025 events.
I asked Eda & Brian a few questions about their time as Craccum's Co-Editors for 2021, and asked them for a bit of advice they'd pass on to future Editors as well.
Review of Child of Dust Documentary (Dir. Weronika Mliczewska). Doc Edge 2025 Craccum Coverage.
I asked Cameron & Dan a few questions about their time as Craccum's Editors in 2020, and asked them for a bit of advice they'd pass on to future Editors as well.
Auckland Museum’s latest exhibition, Diva, celebrates icons from Whitney to Björk, exploring 400 years of diva history. Direct from London’s V&A, this bold, moving showcase reclaims diva as a symbol of empowerment. With 280 dazzling pieces, it’s a must-see.
Colonised, abandoned, and silenced, The Promise shatters the myth of progress and exposes the price of forgotten liberation struggles.
In seas claimed by giants, Filipino fishermen and soldiers fight not for glory, but survival—abandoned, resilient, and tragically expendable.